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In this Article the main discussion is about the role of intuition in creating and forming artwork."Bergson's" philosophy of art more than other philosophies discusses about the intuition. By analizing “Bergson’s” views about intuition and art we seek to answer this question: whether art work is produced by thought or intuition ? In order to finding answer the intuitional believes of “Croce”and “Colingwood” in philosophy of art is concerned which deals with the subjects such as: symbolic knowledge versus intuitive khowledge, emotional expression versus imaginative expression and the difference between









the artistic creation and understanding with pure rational activities .
On the other hand by presenting a brief discussion about the function and origin of intuition in understanding artworks, we deals with three main art’s fileds: artwork artist’ reader (adresee), . which are in challenge as the origin of artwork . By considering the modern hermenutic , reception theory of meaning , and the “Iser’s” view on knowledge of signs (traces), meaning ambiguity and defamilirization, we try to analize the process of intuition from artist (Autor) to artwork and from artwork to reader(adresee).