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دکتر محمد مهدی
عزیزی
author
text
article
2003
per
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10809_bf5cd2fe7a2409035001d348679957c2.pdf
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زهرا
رهنورد
author
text
article
2003
per
The present article addresses innovative calligraphy transformations in the trend of correspondences, commerce and propaganda. In this Path, Kufic calligraphy is considered as the origin and essence of fine calligraphy. The author attempts to investigate that during the 1400 years of Islam’s history, all calligraphy transformations have benefited from Kufic calligraphy. The only difference is that transformations in calligraphy have played an efficient role for achieving beauty and ease in communications, correspondences and governmental affairs. Meanwhile, The contemporary world of calligraphy revolves around visual beauty and the process of propaganda, commerce, graphic, painting and technology. The important point is that: -In the former, the coordination and harmony in form and content is preserved and form expresses content without the help of other visual elements. -In the latter and modern world- especially in 20th century- the agreement between form and content is not absolute and form conveys message while employing other visual elements and addresses’ active participation.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10810_22a278abc9c0d194e3f8bdc76a36ecce.pdf
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مهندس محمود
توسلی
author
text
article
2003
per
This article is an introduction to relationship in urban design, and is structured into four parts. First the introduction, covering the role of relationship as the central concept within
the urban design principles. The second part covers meaning and concept of the term, identifying its connection with the two other concepts: part and whole. Part three describes briefly the appearance of relationship within historical precedents of urban structure and space. In order to make the meaning clear, an emphasis has been given to Cullen’s Serial Vision. The relating forms in his drawings have been extracted and presented separately, a matter, which until now has been disregarded. The concluding remarks summarizes two guiding principles that gradually can accomplish relationship within the old historic fabric and street space.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10811_c06034bd245bd77c4341150ba1fae5de.pdf
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دکتر پروین
پرتوی
author
text
article
2003
per
The Present article is among the analytical review articles and the research based on library research using reliable and related resources. In this study place and placelessness issues are analyzed with a phenomenological approach.
The lack of identity and the crisis of the placelessness in contemporary urban spaces have been among the basic arguments in architecture and urban planning, and apart from the geographical situation of countries, have always been the center of attention, since the second half of the 20th century.
In this article, at first the role of phenomenological thoughts in decreasing or making a balance in the crisis of place has been discussed briefly, and then the phenomenon of place, structure of place and placelessness under the Heidegger’s thoughts have been analyzed and at the end, the change in human’s vision about himself and the world and his/her present-at-hand relation with the environment are discussed as one of the major reasons of place crisis in our era.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10812_f3b2a54aa7eec6b8c867543283dd3a31.pdf
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دکتر جهانشاه
پاکزاد
author
text
article
2003
per
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10813_4b54fb927af494a64b9f3af68b933414.pdf
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دکتر عیسی
حجت
author
text
article
2003
per
The emergence of Post-modern era, and the wane of previously cherished values and principles has confronted architectural education with a crucial problem. What is the mission of the school of architecture at the time of waning values, and the promotion of which principles should be on the agenda?
The paper first describes the necessary grounds for: 1) teaching architecture, and 2) educating an architect. In that regard, the fundamentals of the past and present Iranian architectur are analyzed and compared from four viewpoints of utility, firmness, beauty, and exaltedness. Whether the school of architecture should produce architecture or architect is discussed later
Emphasizing the importance of the issues of knowledge, skill, and value to be addressed by schools of architecture, the paper proposes the experience of three consecutive stages of purification, training, and wisdom by students during their course of architectural education.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10814_f3a02776bedd878b421dfa07763b7cbb.pdf
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مهندس حسین مظفری
ترشیزی
author
text
article
2003
per
This paper provides an extensive review on issues such as thermal insulation, insulation and steam barrier and prevention of condensation in building. Several essential operational details
are also specified.
The architectural details are stated with regard to conventional construction materials used in the United States of America and Canada and also the latest knowledge and technology in these countries, which may not be applicable directly for construction engineers, but comprehensive knowledge regarding new construction technologies and materials is necessary so that construction technology in Iran can begin to transform.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10815_4da2bbcb3aede59afb33b0b98426ab28.pdf
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دکتر یعقوب
آژند
author
text
article
2003
per
The Jalayirids were one of the several petty principalities that emerged as the successors to the IIkhanids . They controlled the territories of Iraq for most of their reign (c. 1336-1410), occasionally extending their power into Azerbaijan. The accounts of contemporary historian suggest that the Jalayirids in particular were a dynasty unusually noted for their artistic interests, chief among them being the art of the book. Having examined the written evidence for this, we can turn to the manuscripts themselves for the further light they shed on these and other matters. Baghdad had remained an important center of book production in Jalayirids time, and to it we can add Tabriz, exercising such a degree of importance as Baghdad. In this article we can see how a tradition of illustrating manuscripts gave way in the thirteenth century to the production of illustrated books for a varied audience.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10816_6a1efebb8c0b73d99594ce2a63ad2847.pdf
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مجید
کیانی
author
text
article
2003
per
For understanding of Spiritual Position of Iranian Music, firstly we should refer to ancient books of Iranian Music and then it is necessary to know all types of music in
terms of: geography, history, philosophy, science, instruction and application. Then, in order to study the status quo of Iranian Music in terms of production and performance, we should divide the Iranian Music based on philosophic division by two groups: Popular & Savant Music
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10817_1d609ef96bb9ed1b1014b1f190bb758c.pdf
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مهندس محمدجواد مهدوی
نژاد
author
text
article
2003
per
Christianity is one of the eastern religious although the most part of its followers are in the west. It is impossible to define Christian ceremonies without music and the tenet of some sects of Christianity to rebuilt Christian ceremonies without music was failed.
Most of main religious as well as Christianity did not have particular music in the beginning times and the music that called Christian music is the integration of Iranian music, Jewish music and Roman music. Jewish music was the base method of worship of Christianity, Roman music was the geopolitical base of Christian music and Iranian music was the first resources of Cathedral ceremonies. This case is the sample of cultural interaction.
Honar-ha-ye Ziba
پردیس هنرهای زیبا_دانشگاه تهران
14
v.
14
no.
2003
https://jhz.ut.ac.ir/article_10818_9b8a1d254c54853c7f11cd4ef0664bde.pdf